Special thanks to Sam Dolnick, Paula Szuchman, Lisa Tobin, Larissa Anderson, Wendy Dorr, Julia Simon, Isabella Anderson, Desiree Ibekwe, Renan Borelli, Mahima Chablani, Nell Gallogly, Jeffrey Miranda, Elizabeth Davis-Moorer and Maddy Masiello. Looser financial requirements contributed to the failure of Signature and Silicon Valley banks. Our theme music is by Jim Brunberg and Ben Landsverk of Wonderly. Barney Frank on His Role in the Banking Crisis. Baylen, Asthaa Chaturvedi, Rachelle Bonja, Diana Nguyen, Marion Lozano, Corey Schreppel, Anita Badejo, Rob Szypko, Elisheba Ittoop, Chelsea Daniel, Mooj Zadie, Patricia Willens, Rowan Niemisto, Jody Becker, Rikki Novetsky, John Ketchum, Nina Feldman, Will Reid, Carlos Prieto, Sofia Milan, Ben Calhoun, Susan Lee, Lexie Diao, Mary Wilson, Alex Stern, Dan Farrell, Sophia Lanman, Shannon Lin, Diane Wong and Devon Taylor Davis Lin, Dan Powell, Dave Shaw, Sydney Harper, Robert Jimison, Mike Benoist, Liz O. The Daily is made by Rachel Quester, Lynsea Garrison, Clare Toeniskoetter, Paige Cowett, Michael Simon Johnson, Brad Fisher, Chris Wood, Jessica Cheung, Stella Tan, Alexandra Leigh Young, Lisa Chow, Eric Krupke, Marc Georges, Luke Vander Ploeg, M.J. With that in mind, we wanted to give readers the option of toggling between the transcript and the supplemental content, without sending them to a new page.Special thanks to Natalie Kitroeff and Miriam Jordan. The audio player on “The Daily’s” podcast pages is often followed by supplemental content related to the episode. We decided to build the feature into our podcast pages and our embeddable audio player, but what that actually looked like took some experimentation. When we approached this design project, we knew that transcripts needed to be easily findable, and we knew that they had to be closely tethered to the original audio piece. We took feedback from Times readers and listeners of “The Daily,” and we designed for accessibility, shareability and reference. Before the transcript is published, a Times editor reads over the document to review its accuracy and replace the generic labels with the names of those speaking.Īlthough we could have simply pasted the full transcript on the page, we decided to introduce more interactivity into our transcript pages. The document that 3Play produces not only captures the words of the show, but also includes labels that indicate when different people are speaking. Being able to hand off the task of the transcription is key in a workflow that is already packed and very fast-paced. We instead opted to use 3Play, a third-party service, to transcribe the audio. For podcasts that publish frequently, like “The Daily,” doing our own transcription wasn’t a feasible option for us. ![]() While we could have a Times producer listen to every episode and type out what they hear, that would be too time consuming. The process of transforming audio into text can be tedious. ![]() The script-like layout is great for understanding what is mentioned in an audio clip, finding a line that covers a particular subject or copying a salient quote to share on social media. Reporters often use transcripts to find and reference quotes from interviews, but transcripts can be useful to readers, too. Each line of the transcript is printed alongside its corresponding timestamp, making it easy to navigate the audio file. What are audio transcripts?Īn audio transcript is a word-for-word text document of an audio file. It’s important to us that all of our readers can engage with our report, whether they choose to listen, share or read, and audio transcripts are a big step forward in our commitment to make Times content accessible to all users. We’re releasing audio transcripts for each new episode of “The Daily,” with transcripts rolling out for other Times podcasts in the future. Over the past few months, we’ve experimented with ways to make our audio content more accessible to readers. What makes podcasts so special, also renders them inconvenient: they can only be heard. That is because “The Daily” has only been available in audio form, which means its report is inaccessible to many of our readers. This is ‘The Daily.’” But a large number of Times readers have never heard Barbaro’s greeting. ![]() This game is a direct adaptation of the American TV game Lingo, and it offers to guess a word through multiple attempts, each attempt showing the positions of correctly placed and incorrectly placed letters. ![]() It’s an introduction familiar to many: “From The New York Times, I’m Michael Barbaro. Wordle is a free online word game developed by Josh Wardle in 2021.
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